SET AND COSTUME DESIGN
FALL SEASON 2014:
ALVIN AILEY AMERICAN DANCE THEATER — New York City Center, New York, NY
BAD BLOOD is currently in repertoire
Choreography by Ulysses S. Dove
Original Costume & Set Design by Carol Vollet Kingston
ALABAMA BALLET — Birmingham, AL
ALBERTA BALLET — Calgary, Canada
ALVIN AILEY AMERICAN DANCE THEATER — New York, NY
ALVIN AILEY REPORTORY ENSEMBLE — New York, NY
AMERICAN BALLET THEATRE — New York, NY
ANTONY TUDOR BALLET TRUST — Ocean Beach, NY
ATTERBALLETTO REGIO EMILIA — Regio Emilia, Italy
AUSTIN BALLET — Austin, TX
AUSTRALIAN BALLET — Sidney, Australia
BALLET OF FLANDERS — Antwerp, Belgium
BALLET MET — Columbus, OH
BALLET DE MONTERREY — Monterrey, Mexico
BALLET JAZZ DE MONTREAL — Montreal, Canada
BALLET NUEVO MUNDO DE CARACAS — Caracus, Venezuela
BALLET PACIFICA — Fountain Valley, CA
BALLET WEST — Salt Lake City, UT
BALLET DE SANTIAGO — Santiago, Chile
BASEL BALLET — Basel, Switzerland
BAT D'OR DANCE COMPANY — Tel Aviv, Israel
BOSTON BALLET — Boston, MA
“AU BORD DU PRECIPICE - Ailey, Paris Opera Ballet: ...it was a brilliant, highly polished spectacle — it would not have been out of place in a Roland Petit season — strongly aided by the expressionist backdrops and colorful costumes of Carol Vollet-Garner [Kingston] and splendidly effective lighting of Chenault Spence.”
CAPE TOWN CITY BALLET — Capetown, South Africa
CINCINNATI BALLET — Cincinnati, OH
CLOUD GATE DANCE THEATER — Tapipei, Taiwan
COLORADO BALLET — Denver, CO
CONTEMPORARY BALLET THEATRE — New York
CULBERG BALLET — Stockholm, Sweden
DALLAS BALLET — Dallas, TX
DANCE THEATRE OF HARLEM — New York, NY
HARTFORD BALLET — Hartford, CT
HONG KONG BALLET — Hong Kong
HOUSTON BALLET — Houston, TX
HUBBARD STREET DANCE THEATRE — Chicago, IL
JOFFREY BALLET — New York, NY
KATHRYN POSIN DANCE COMPANY — New York, NY
“UNKNOWN TERRITORY - Goh: As Jacobson’s music prepares the atmosphere with a tense electronic drizzle, the curtain rises slowly to reveal Carol Vollet-Garner’s [Kingston’s] striking set and costumes. The backdrop is a dark, stylized sky, with slender, leaved branches curling into an immense golden sun. Against this, the dancers are frozen into a tableau — the men, in halters and briefs, on one side, the women, in streaked unitards, on the other, the predominant colors red and black. Upstage center, two handmaidens flank Janet Shibata as the bride. Caught in the varnished gleam of Beth Newbold’s canny lighting, the whole picture looks like a lacquered Chinese painting come to life and murmurs of appreciation swept through the audience at the sight.”
LIMON DANCE COMPANY — New York, NY
LONDON FESTIVAL BALLET — London, England
LOUISVILLE BALLET — Louisville, KY
MILWAUKEE, BALLET — Milwaukee, WI
MISSISSIPPI BALLET — Jackson, MS
MONTERRAY BALLET — Mexico
OHIO COUNCIL FOR THE ARTS — Columbus, OH
ORLANDO BALLET — Orlando, FL
PACT BALLET — Pretoria, South Africa
PARIS OPERA — Paris, France
PENNSYLVANIA BALLET — Philadelphia, PA
PITTSBURGH BALLET — Pittsburgh, PA
PRAGUE STATE OPERA — Czech Republic
RICHMOND BALLET — Richmond, VA
ROYAL DANISH BALLET — Copenhagen, Denmark
ROYAL SWEDISH BALLET — Stockholm, Sweden
SACRAMENTO BALLET — Sacramento, CA
SAEKO ICHINOE & COMPANY — New York, NY
SINGAPORE DANCE THEATRE — Singapore
SOUTH AFRICAN NATIONAL BALLET — Pretoria, South Africa
UNIVERSAL BALLET — Seoul, Korea
WASHINGTON BALLET — Washington, D.C.
Works for Television
LONDON WEEKEND TELEVISION — “Dance and the Dancer” (with Mikhail Barishnikov) - 1984
DENMARKS RADIO TELEVISION, AARHUUS — “Changing Images” - 1986, “Stack Up” - 1987
TELEVISION ITALIA — “Stack Up” - 1984